8 X10 Photograph of Ursula Andress and Jean-Paul Belmondo. This is an actual photograph printed recently by a lab. Please note that my ebay name only appears on the scan not the actual photo.
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Jean-Paul Belmondo (1965–1972) Fabio Testi (1973–1977) Harry Hamlin Ursula Andress (Ostermundigen, 19 de marzo de 1936) es una actriz de cine y modelo suiza.
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Marcello Mastroiani, 1924-1996. Roger Ebert | 1996-12-20. In Rome Thursday night, they turned off the water in the Trevi Fountain and draped the monument in black, in memory of Marcello Mastroianni. The Italian actor, who died early Thursday at his Paris home, made about 120 films, but was best remembered for Federico Fellini's "La Dolce Vita
foto of ursula andress with jean paul belmondo in up to his ears1965 C5JXCY for fans of Jean-Paul Belmondo 41439448.
. Passionné de chant, des Douze coups de midi et de la discographie de Jul, il rêve de participer à Fort Boyard malgré sa phobie des serpents et du Père Fouras. Son ambition secrète ? Découvrir ce qui se cache derrière le rideau mystère de Bataille et Fontaine pour y chanter en quartet. La vérité est au bout du couloir… Il a été l'homme de plusieurs femmes, parfois simultanément. Alors qu'il était marié à Elodie Constantin et père de deux enfants, Jean-Paul Belmondo avait croisé la route de la sublime Ursula Andress sur un plateau de tournage... Le coeur des Français a explosé, le 6 septembre 2021, quand la nouvelle est tombée. Jean-Paul Belmondo est mort à l'âge de 88 ans et, de son vivant, il avait provoqué plus d'une palpitation. Grand séducteur, il était papa de quatre enfants, grand-père d'une nouvelle génération, avait été marié à deux reprises et avait connu de nombreuses liaisons sulfureuses. Le comédien avait même vécu un longue romance de sept ans avec une James Bond Girl : celle qui faisait chavirer Sean Connery en 1962 en interprétant la divine Honey Rider, elle qui sortait de l'eau en bikini blanc, la seule et unique Ursula Andress. Jean-Paul Belmondo et Ursula Andress se sont rencontrés en 1965 sur le tournage du film Les tribulations d'un Chinois en Chine, de Philippe de Broca. Si le coup de foudre fut immédiat entre les deux acteurs, Le Magnifique n'était pas exactement célibataire... il était même marié à sa première épouse Elodie Constantin et avait avec elle deux enfants, Florence et Paul. Ce triangle amoureux a fini par un divorce. Mais Bebel a aimé passionnément sa James Bond Girl pendant sept années. 84 mois tumultueux qui les ont considérablement marqués, l'un comme l'autre. C'était Ursula qui hurlait Il faut dire qu'Ursula Andress avait un caractère bien trempé. On la surnommait à l'époque La Tigresse. En 2016, alors qu'il assurait la promotion de son autobiographies Mille vies valent mieux qu'une, Jean-Paul Belmondo racontait ce caractère de feu et de flamme qui lui avait parfois brûlé les ailes. Notamment cette fois où il était rentré à la maison complètement ivre et s'était retrouvé devant une porte close. "Je suis rentré, il était très tard, se souvenait-il. J'ai décidé de prendre l'échelle pour monter par la fenêtre. J'allais frapper quand la fenêtre s'est ouverte. C'était Ursula qui hurlait : 'Tu n'as pas honte ?' Elle a alors balancé l'échelle et moi avec." Ursula Andress et Jean-Paul Belmondo n'étaient pas en mauvais termes pour autant. L'actrice avait même participé au tournage du documentaire Belmondo par Belmondo, produit par Cyril Viguier et Paul Belmondo, durant l'année 2014... Abonnez-vous à Purepeople sur facebook
Ursula Andress Česká televize 7. ledna 2022 9:37 Také máte rádi Jeana-Paula Belmonda (✝88)? Pak si určitě nenechte ujít další z jeho zdařilých komedií Muž z Hongkongu (1965). Snímek, který natočil režisér Philippe de Broca (✝71), je volnou adaptací méně známého románu Julese Vernea Číňanovy trampoty v Číně. I tentokrát se diváci mohou těšit na pořádnou nálož dobrodružství, honiček, přestřelek, odvážných kaskadérských kousků, převleků i bláznivých situací. A užijí si i velkou porci exotiky – film se točil v Nepálu, v Malajsii, v Indii, v Hongkongu a také v Alpách. Natáčelo se téměř výhradně v exteriérech, v ateliéru vzniklo jen asi pět procent scén. Na své si přijde i každé pánské oko, protože po Bébelově boku si ve filmu zahrála kráska Ursula Andress (85), která se tři roky předtím stala mezinárodní senzací díky své roli Honey Rider v první bondovce Dr. let Zrod legendární komedie nebyl přitom vůbec jednoduchý. Problémy nastaly už při odletu do Himálaje. Herci i štáb se nakonec dostali do posledního letadla společnosti Air Nepal, které vypadalo jako ze zlého snu – dveře mělo „zajištěno“ provazem, po celé palubě pobíhala kuřata a letuška byla dvanáctiletá dívenka. Celá cesta do hor trvala neuvěřitelných 37 hodin a Belmondo coby hlavní hrdina Arthur Lempereur a herec Jean Rochefort (✝87), který ve filmu hraje jeho komorníka, vystoupili z letadla pořádně unavení a neměli na nic dobou nad horami zrovna zapadalo slunce a producent filmu Alexandre Mnouchkine jim tuto velkolepou podívanou okomentoval slovy: „Vidíte tu krásu? A to ode mě dostáváte ještě zaplaceno!“Trápení pod mostem V jedné scéně zůstali zase Bébel s Rochefortem zavěšeni příliš dlouho pod liánovým houpacím mostem. Viseli, koukali do prázdna pod sebou a čekali, až technici opraví rozbitou kladku. Čekání se protahovalo a vždy dobře naloženému Belmondovi začaly téct nervy. Rozeřval se na technický tým a kolega Rochefort se ho pokoušel uklidnit. Řekl mu: „Víš, že beru o třicet tisíc franků míň než tvůj impresário?“ To Bébela rozesmálo a hodilo ho zpátky do neměli pochopení Scéna, ve které se Belmondo s Rochefortem pohybují po indickém Dillí, byla inspirována Tintinem v Tibetu. Režisér De Broca napsal autorovi série o Tintinovi Hergému, aby se mu omluvil a vysvětlil, že nešlo o úmysl ani o právníci mu ale poslali velmi ostrou odpověď a De Brocu toto nedorozumění hodně i na rozvod Velký lamač dívčích srdcí Belmondo se během natáčení zakoukal do Ursuly Andress. Ta jeho city opětovala, mimo jiné prý i proto, že ji vždycky dokázal rozesmát. Bébel se kvůli Andress dokonce rozvedl se svou první ženou Elodie Constantin, ale vztah se sexy Švýcarkou se po sedmi letech rozpadl. Plavovlasá tygřice byla totiž hodně žárlivá a často mu dělala scény. ■ Fotogalerie Ursula Andress září v komedii Muž z Hongkongu, kterou vysílá Česká televize. ■ Česká televize Ursula Andress a Jean-Paul Belmondo se do sebe během natáčení zakoukali. ■ Česká televize Jean-Paul Belmnondo v jedné ze svých dalších slavných rolí ■ Česká televize Ursula Andress a Jean-Paul Belmondo během natáčení ■ Česká televize Film se točil v Nepálu, v Malajsii, v Indii, v Hongkongu a také v Alpách. ■ Česká televize
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El mundo de cine se viste de luto por la muerte a los 88 años de Jean-Paul Belmondo, uno de los rostros más icónicos y carismáticos del séptimo arte francés de todos los tiempos. Eterno seductor, el popular actor galo de origen italiano no solo protagonizó un sinfín de títulos sino que vivió muy intensamente en lo personal, tanto que su propias memorias las llegó a bautizar con el nombre de Mil vidas mejor que una. Nacido en París en 1933, era hijo de un conocido escultor y tuvo dos hermanos, Alain, productor cinematográfico y Muriel, bailarina profesional. Aficionado al fútbol y al boxeo en su juventud, Jean-Paul logró forjarse un físico atlético y una nariz quebrada que le darían no pocas ventajas en su carrera en la gran pantalla, al explotar inteligentemente su peculiar aspecto como pícaro y canalla. De hecho, fue apodado como "el feo más atractivo" del séptimo arte en su país. VER GALERÍA VER GALERÍA Stella, hija pequeña de Belmondo, en el baile de debutantes de París con las hijas de Julio Iglesias En 1953, se casó a los veinte años con la bailarina Elodie Constantin, con la que tuvo tres hijos, Florence, Patricia (fallecida trágicamente en un incendio) y Paul, pero la pareja acabó divorciándose en 1966. Amigo de otro mito del celuloide francés como es Alain Delon, Jean-Paul interpretó escenas amorosas con grandes estrellas de la época como Gina Lollobrígida, Sofia Loren, Brigitte Bardot o Catherine Deneuve, entre otras. Al parecer, con las dos últimas tuvo algo más que una relación estrictamente profesional y sus idilios en la ficción traspasaron la pantalla. Sin embargo, uno de sus romances más sonados fue con la actriz Úrsula Andress, la que por entonces era catalogada como "mujer más sexy del mundo" gracias a su papel como 'chica Bond'. Sin embargo, fue en 1972 cuando rodando una película conocería a Laura Antonelli, con la que estuvo durante 17 años. Jean Paul Belmondo, padre de una niña a los 70 años de edad VER GALERÍA VER GALERÍA Después, el incorregible galán del cine francés mantuvo una relación con una mujer brasileña de nombre Carlos Sotto Mayor, cuyo físico impresionó al mismísimo presidente de la República francesa, Jacques Chirac. En 1999, Jean-Paul fue hospitalizado tras sufrir un infarto cerebral y, dos años más tarde, volvió a sufrir un problema similar que le llevó un tiempo a estar en silla de ruedas aunque logró recuperarse bien. En 2002, contrajo matrimonio en segundas nupcias a los 69 con la corista Natty Tardivel, de 41, su compañera desde hacía trece años. En 2008, se divorciaba de su esposa y madre de su hija Stella, niña por la que sentía auténtica devoción. Tras la separación, se enamoró de la belga de 27 años Bárbara Gandolfi, ex 'chica Play-boy' con la que rompería en 2012. Sin duda, la vida sentimental de Jean-Paul Belmondo fue de lo más agitada, lo que casi daría para hacer un película de acción y romance -o serie biopic de varios capítulos- como las que él mismo nos deja en su extenso legado. Jean Paul Belmondo se casó en París con Natty Tardivel VER GALERÍA
Jean-Paul Belmondo, who has died aged 88, was the actor who more than any other epitomised the French Nouvelle Vague. In Breathless (1960), one of the most influential films of the last six decades, the 26-year-old Belmondo played Michel Poiccard, who steals a car in Marseille, kills the policeman who follows him and hides out in Paris with his American girlfriend (Jean Seberg).What struck one immediately were the thick, sprawling lips – on to which was stuck a Gauloise – the broken nose, and the sunglasses, suit, tie and hat worn as a homage to the great US gangster prototypes, especially Humphrey Bogart. At one stage, Poiccard looks at a film poster, runs his fingers over his lips and sighs: “Bogie.”Despite the tough exterior, Belmondo gave the impression of fragility, with his pale, delicate skin and soft voice. The New York Times reviewer found him “hypnotically ugly” and “the most effective cigarette-mouther and thumb-to-lips rubber since time began”.An Italian poster for Breathless (À Bout de Souffle, 1960). Photograph: Snap/Rex/ShutterstockBecause of Belmondo’s relaxed, naturalistic acting technique, it was assumed that the dialogue had been improvised, but it was written by the film’s director, Jean-Luc Godard, who nevertheless would not allow the actor to learn his lines but cued him during takes. In the final sequence, the camera chases Belmondo as he continues to run after being shot. As he dies, he looks up at his girlfriend, smiles knowingly and says: “C’est dégueulasse!” (“It’s shitty!”).Because Belmondo projected an anti-conformist image, he was immediately dubbed “le James Dean français”, and after Paul Newman saw him in Paris in the early 1960s he commented: “Why, he’s one of us.” When Jean Gabin, from the golden age of prewar French cinema, co-starred with Belmondo, the darling of the New Wave, in Un Singe en Hiver (A Monkey in Winter) in 1962, he told him: “Kid, you’re me at 20.”There was even a wave of “Belmondism”, manifesting itself in a particular style of offhand, narcissistic behaviour. Of his joli-laid looks, Belmondo commented, “Hell, everybody knows that an ugly guy with a good line gets the chicks.” At the age of 19, he had married a dancer, Élodie Constantin. In 1966 while starring in Philippe De Broca’s Up to His Ears, he and Ursula Andress fell for each other, and Élodie, the mother of their three children, filed for a way, it is absurd that, following Breathless, Belmondo soon chose to withdraw more and more from the New Wave directors and go into commercial films with few artistic demands – vehicle thrillers, adventure movies and acrobatic comedies, in which he became repetitious and self-parodic. The actor Claude Brasseur remarked: “Despite everything, I think it’s a pity for him making popular films because he could enjoy his métier so much more. I remember at the Conservatoire he did astonishing things. Alas, now he has become a sort of stunt man de luxe.”Catherine Rouvel, Mario David and Jean-Paul Belmondo in Borsalino, an American-type gangster movie, 1970. Photograph: Paramount/AllstarWhat was most dispiriting about his career was that French audiences seemed to prefer it that way. When reproached, Belmondo replied: “My public expects a certain type of picture, and I’m not going to let them down.” Secure in his pre-eminence, producing many of his films himself, “Bebel”, as he was affectionately known in France, all but guaranteed a hit a year, few of which crossed the Channel or the Atlantic. Belmondo, who did not speak English, never made it to Hollywood, preferring to make American-type gangster movies such as Borsalino (1970), opposite Alain Delon, who shared top place in the box-office polls.“Nothing impresses him. No danger, no risk, nothing serious, nothing important, nothing explained,” said the journeyman director Henri Verneuil, with whom Belmondo made eight pictures. “He never reads a scenario ahead of time. Never thinks out his role. Never says, ‘How was I in the last scene?’ Never makes suggestions.”He was born in Paris, the grandson of an Italian workman from Piedmont who had emigrated to French Algeria. His father, Paul Belmondo, was a leading academic sculptor and a professor at the École Nationale Supérieure des Beaux Arts, and his mother, Sarah (nee Rainaud-Richard), was a painter. The rebellious Jean-Paul, whose schooldays were turbulent, studied drama at the Paris Conservatory following a brief career as an amateur boxer, and for several years performed in the classics on stage in the provinces before entering the Belmondo and Serge Reggiani in Jean-Pierre Melville’s Le Doulos (The Finger Man), 1962. Photograph: The Criterion Collection/AllstarAs Breathless was Godard’s first feature, it was assumed, by some critics, that it was also Belmondo’s. In fact, Belmondo appeared in supporting roles in nine films before his “overnight” rise to fame. One of his first roles was for Marcel Carné in Les Tricheurs (The Cheaters, 1958), and the following year his portrayal of Bernadette Lafont’s uncouth Hungarian fiance in Claude Chabrol’s À Double Tour (Web of Passion) prefigured the Breathless strong was the impact of his persona in Breathless that his restrained performances as affectionate and humane characters in Vittorio De Sica’s Two Women (1960), Peter Brook’s Moderato Cantabile (1960) and Jean-Pierre Melville’s Léon Morin, Priest (1961) came as a surprise, revealing an actor of a wider range than his subsequent filmography acknowledges. “He is the most accomplished actor of his generation,” claimed Melville. “He can play any given scene in 20 different ways, and all of them will be right.”Belmondo made two further films for Melville, both in 1963: Le Doulos (The Finger Man) and L’Aîné des Ferchaux (Magnet of Doom). In the former, he suppressed his magnetic charm in the part of a sly, safecracking stool pigeon. But it was Godard who gave him his last great role, in Pierrot le Fou (1965). Belmondo as Ferdinand, dissatisfied with Parisian life, and with his wife, sets off on a picaresque journey to the south with Marianne (Anna Karina), getting involved with her criminal activities on the was a similarity between Ferdinand and Michel Poiccard – both are on the run, both are unable to assimilate into society, and each is betrayed by the woman he loves. However, Ferdinand is a more romantic and intellectual figure, acting out an existential tragedy of the transience of love. At the end, having fatally shot Karina and her boyfriend, Belmondo paints his face blue, places sticks of dynamite around his head and lights the fuse. He has second thoughts, but it is too late. “Damn, it’s too absurd!” he says before being blown Belmondo and Ursula Andress started an affair while they were filming Up to His Ears, 1965. Photograph: United Artists/AllstarWith challenging opportunities becoming rarer and rarer after Breathless, his acceptance of roles in François Truffaut’s Mississippi Mermaid (1969) and Alain Resnais’s Stavisky (1974) reminded audiences of his qualities. In the latter, Resnais cleverly subverted Belmondo’s charm and virility, the source of his success as a popular star, to play the notorious real-life 1987 he returned to the stage to play the title role in Kean, the Dumas drama reinvented by Jean-Paul Sartre, and was an excellent Cyrano de Bergerac three years later, also appearing in Feydeau’s A Flea in Her Ear for his own theatre company at the Théâtre Marigny in Paris. One of his last films to have received an international distribution was Les Misérables (1995), Claude Lelouch’s effective updating of the Victor Hugo classic to the Nazi occupation, with Belmondo in his most challenging screen role since the 60s as an uneducated ex-boxer who befriends an intellectual Jewish 2001, Belmondo suffered a stroke, which kept him off the stage and screen until his brief return in A Man and His Dog (2008), based on De Sica’s 1952 film Umberto D. Although he had difficulty walking and speaking, he played a character with the same disabilities. However, no matter what Belmondo did, most serious film commentators would continue to see him as the young rebel who rode in on the New second marriage, to the dancer Nathalie Tardivel, ended in divorce in 2008. Their daughter, Stella, survives him, along with a daughter, Florence, and son, Paul, from his first marriage. Another daughter from his first marriage, Patricia, died in a fire in 1994. Jean-Paul Belmondo, actor, born 9 April 1933; died 6 September 2021
ursula andress jean paul belmondo